My practice is rooted in photography, but it extends beyond the photographic surface. I treat the image as a starting point, something that can be physically reworked, interrupted, and reshaped. Through processes of embedding, layering, and material intervention, the photograph becomes an object rather than a window.
A lasting influence on my thinking has been Witold Gombrowicz, whose observations on identity resonate deeply with my own. His notion that form is imposed on us, that we are shaped through the perception of others, runs throughout my work. Identity, in this sense, is never fully self-determined; it is negotiated, performed, and often constrained.
Material plays a central role in this exploration and the image is never complete on its own; it is always in dialogue with what surrounds and alters it.
Ultimately, my work asks a simple but persistent question:
Where does the self end, and where does the imposed form begin?
Where does the self end, and where does the imposed form begin?
Awarded by the British Journal of Photography’s Portrait of Britain (2019 & 2021), my art has been exhibited in the UK and Europe, including the London Cluster of Photography and Print, the Festival Surreal and Creative Photography in France, and the ImageNation Paris. These experiences have shaped my approach, but my greatest motivation remains the possibility of connecting with others, collectors, curators, and anyone drawn to visual storytelling.
If you’re seeking art that values narrative, authenticity, and a human touch, I invite you to explore my portfolio and discover what resonates.
Let’s connect, art is, after all, a conversation.